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| Romy the Cat's
personal site dedicated to advanced audio and evolved music reproduction
techniques
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[quote user="msaudio"]Your Typical Acoustical Suspension-type Loudspeaker enclosure witch has less then 90 db at 1 watt does not belong with a horn system that starts at 110db at 1 watt, even when you ad more then 1 driver, it is still way to far...
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It is interesting to recall how audio started in my life. Somebody asked and I was puling out from my memories some unconnected fragments was really enjoying to recall those times…
I do not relay remember how old I was. I was then probably 10, as a...
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[quote user="clarkjohnsen"]Since all audio folks know that the wall gives us highly variable power (voltage being just about the least important aspect), it occurs to me that a way to measure it that includes all the various parameters would be highl...
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This is complicated as I usually get very pissed on Christmas. I very pissed that Christians have stolen my great holiday and attributed it to own religion. I all my life celebrated last week of the year, it was wonderful holyday and I never att...
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The thread is derivation form the previous thread about the Dima's amplifier.I was trying to gradually approach better and better loudspeakers with the Zarathustra amplifier but today I decided to hit with the Zarathustra the pinnacle of low sen...
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Well, this is huge mystery in the reproduction of the few first milliwatt and I very much applaud to what Nelson Pass is trying to do. Being muse a proponent of high sensitively and low power I very much experienced with the fact the high power amps ...
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[quote user="Serge"] The SIlbatone room was very large. They played an Edith Piaf record on a mono WE16B (or A, not sure). They played it very loud which I don't like, ever. I felt the system was made to show dynamics and it did it. The dynamic r...
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It's hard to know where to start...
I'd read a fascinating (and widely recommended) article about the importance of absolute speed stability in turntables. http://www.iar-80.com/page12.html
I'd also read Grand Prix Audio's white paper on their turn...
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I a very much am sitting on sidewalk of audio. 10 years back I was paying attention to mainstream media, was buying and evaluating audio equipment, traveling around the country and around the world listening different installations, maintaining g...
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The name of this thread a bit cryptic and need to be explained, as the Alzheimer in my vocabulary means slightly different things then it is commonly recognized. When I was 13 years old I read a book (I do not remember what it was) that was dedi...
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Morricab,
Of curse you are very much correct but I always thought that what you said is understandable by default.
When I am talking about the ability of playbacks to care the “absolute tone” I indisputably meat sound reproduction of the “best” in...
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[quote user="hifitodd"] Frankly, from my perspective your stance on DPoLS mirrors that of the typical audio-moron voodooism. Here is some essentially non-obtainable state that when realized will make the listener "hypotized" by thew newfound mu...
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Ok, Andrew, this is allergy something. I would highly advise you in future before you post any discrete updates, questions, and ideas about what you to inform about the holistic objective of your project, sort of a view from 50.000 feet...
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de Charlus, this “are not afraid of cabinet resonance per se” is complicated subject. I have raised the topic in the “How to USE “Resonating Oops” in loudspeakers” thread:
http://www.goodsoundclub.com/LatestPosts.aspx?ThreadID=3833
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1.- Finding specific solutions to specific problems[quote user="drdna"] .... I have high-sensitivity horn loudspeakers and use some 2A3 SET amplifiers, which make very good sounds but I am looking to get closer to the Sound, which to me is feeli...
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[quote user="darkmoebius"] That's because "off the shelf" amps can be easily resold for little or no loss of money if they are not to the buyer's liking. The Melquiades, on the other hand, leaves the builder with $3,000 worth of parts not easily reso...
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[quote user="darkmoebius"] Believe it or not, this very short, direct, explanation helps put everything else I have read about the Melq evolution in perspective. [/quote]
Hm, darkmoebius,I really do not know why it clears skies for your in anyways. ...
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Michael Fremer keeps sending me emails, though I do not think I invited him. I suggested him at the very beginning that to contact me was a bad thing for him as I operate in the very different dimension that he, with his enslaved narcissistic complex...
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In response to http://audiofederation.com/blog/archives/501
[quote user="The Federated Mike"] First, the Ongaku, the Audio Note …. U.K.(!) … Ongaku, that we have here is not micro-details challenged [to say the least]. The Kondo Ongaku may indeed be...
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The story of my great discoveries about this:At school I was teased by Sherlock Holmes. I always get to the truth and to any secrets. I'm still doing great left hook. I was the only left-handed, it was my advantage. So little to me who was fighti...
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I went to THE Show again this year, along with a couple of audio friends. This year I was better prepared, with preconceived notions about what I wanted to see/hear, and where to find that gear. I did not try to “cover” the show, at all. I just wa...
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[quote user="Romy the Cat"] anthony wrote:I woke up this
morning ….
It was funny that you named it “In my dreams”. Whan I was “designing”
and building the Milq I had a lot of dreams about the problem I had. I am not
am amplifier designer or some ...
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A site visitor pointed me out the I never made an intended write up about the David Haigner horns. I just forgot about them… OK, let analyze David’s claims and his Alphahorn design. I would say right the way that I do not like the Alphahorn’s id...
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I had many interesting listening experiences while I used the Water Drop’s Macondo. I would try to surmise briefly the sonic consequences of the Water Drooping. “Me” and “briefly”, would it be possible? Well, where did you see a Jewish boy who refuse...
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Thanks for the detailed answers. I will explain my setup.You are right about the dipole bass correction instead of the injection channel. Since I am waiting for both a subwoofer and the Fane Studio 8M and their horn, I am using the 12" as a b...
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Dear Romy,
Thank you for the commentary and the advice with regards to the need to have a COGNITIVE ORDER OF SUCCESSION and to test with another speaker in situ first.
Given the varying degrees of how different individuals process COGNITI...
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[quote
user="Murataltuev"]Thank you for comments.I agree with front-baffle
concerns.I'll redesign it.But I'm still thinking to keep Tapped Horn integrated
somehow to the whole setup and may be use RoomCorrection, but only for Tapped
Horn (20-50Hz...
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[quote user="Romy the Cat"]
The most important in audio is a state of realization and obtaining this state is a matter of time I am afraid. Let pretend that tomorrow I will build/buy some kind of speaker that would do the perfect ULF channel ...
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[quote user="Romy the Cat"]
Jordi wrote:
Let us take the example of piano. When speaking of virtuosity, many classical-only listeners who listen to Sviatoslav Richter, Josef Hofman, Busoni or Paderewski for ...
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…or the “The new Channel”: some observations after the game.
This thread is organic derivation of the multi-paged thread:
http://www.goodsoundclub.com/TreeItem.aspx?postID=2433#2433
First of all: despite that I got some preliminary positive result...
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